Two exhibitions, three artists: C14 in the spotlight!
Join us on Thursday November 27, 2025 at 5pm for the simultaneous openings of our partner galleries.
At the Arsenicgalerie (14, rue Guénégaud, Paris 6e), discover the first solo exhibition by Korean artist Chungwoo Yoo - Winner of the Prix inter-École 2025 and the Prix Galerie 2025. The exhibition will run from November 27 to December 20, 2025.
A few steps away, at 12, rue Guénégaud, Galerie Bernard Jordan presents the joint winners of the Prix Galerie 2024: Anja Marschal and Rémi Galtier. The exhibition will be on view from November 27, 2025 to January 10, 2026.
The entire C14 PARIS team is delighted with these two exhibitions, which continue the spirit of the show, and warmly thanks our partner galleries for their confidence. We look forward to seeing you on Thursday November 27 for this joint vernissage in the presence of the artists.
VA TUTTO BENE!
Title of the Korean artist's first solo show, CHUNGWOO YOO in France. At the Arsenicgalerie from November 27 to December 20, 2025 at 14, rue Guénégaud 75006 Paris.
ChungWoo Yoo (1988, South Korea) is an artist who brilliantly uses the ancestral technique of ceramics to create, in particular, singular figures (soldiers), architectures (churches in flames) of great poetic and plastic finesse. A student from 2017 to 2019 in the graphics/glass department (Pr.Christina Triebsch) at the Burg Giebichenstein University of Art and Design in Halle (Germany), he returned to Korea to do his military service (2020-2022), before returning to his university in Germany. Since 2023, he has been working in Prof. Martin Neubert's sculpture/ceramics studio. ChungWoo Yoo has just received, among other awards, the second Richard Bampi Prize for young ceramists (Giebichenstein /Dresden) and first prize from the galleries of the Salon C14, including the Arsenicgalerie. Since 2024, he has exhibited his work in Germany and Austria.
The Arsenicgalerie is showing for the first time a rich ensemble of some sixty figures of soldiers and a few churches in flames. The modest dimensions of these pieces, with their subtle colors, multiple pictorial facets and borderline informality, reinforce their fragility and poetry. In this way, the violence of the times remains frozen in the material, while at the same time suggesting the quivering of a body on the lookout or seized by combat and the final conflagration of a place of worship.
Anja Marschal and Rémi Galtier exhibition
Galerie Bernard Jordan (12, rue Guénégaud Paris 6e) - November 27, 2025 to January 10, 2026.
Anja Marschal is an artist of Polish origin, born in West Germany in 1989. Her artistic research led her to study at the Beaux-Arts in Poznan, Istanbul and Berlin. During this period, her practice evolved from design to sculpture. Her main medium is ceramics, which she has been working with for over 10 years.
After graduating from UdK Berlin in 2016, she took part in international residencies and programs at porcelain factories in Kahla, Cmielow, Eschenbach and art and design institutions such as Bauhaus Dessau or Moly Sabata. His work has been exhibited in Germany, Poland, France and Italy.
Since 2020, she has lived and worked in the south of France. After graduating from the Maison de la Céramique de Dieulefit (2023), she gave a new direction to her practice. Influenced by the work of Patrick Loughran, Coralie Courbet, Aneta Regel and Marian- na Castelly, she develops contemporary sculptural work.
Through a completely different approach than the reasoned one of design, the work of Rémi Galtier is nevertheless interested in the form of use. He instinctively distances himself from it, as if to prevent any concrete appropriation.
Vernacular forms remain, like ghosts of objects caught in gangs, prevented. These are born in a gradual process, slowly assembled with pincasts, they claim to be free, autonomous sculptures. The orifices of what we might imagine to be vases are blocked, suffocated. Ovoid shapes and superimposed stalagmites swell like balloons, communicating with each other and seeming to asphyxiate.
These sequences of truncated and then reassembled extracts - of uncertain origins, vaguely industrial or, on the contrary, geological - are the result of a long and complex process.
- become mutants. They bind together, organizing themselves into a new harmony that's clumsy yet firmly rooted to the ground, and moving. Sensitive, hybrid architectures reach for the sky, bracing and joyful, halfway between dynamic and static.
French 
English